Did a shoot this weekend with model Rosanna Picardi, who contacted me through Model Mayhem.
Rosanna is an amazing model to work with. Very energetic, extremely professional, and jaw-droppingly beautiful in person.
I had originally planned to work with Rosanna on Maui the Sunday after Thanksgiving, but due to complications with flight arrangements, we were not able to get her over to Maui for a full day of shooting. Since she had a shoot planned on Saturday with photographer Chaz from After6Media, we all agreed it would be better to arrange a joint shoot on Kauai instead.
Because I had to fly over to Kauai to do this shoot, I was limited in the amount of gear I could bring. For lighting, I mainly relied on my California Sunbounce reflectors and some small strobes.
We first went to Kipu Falls. The water was pretty rough, and the original set of rocks I wanted to have her pose on proved to be too difficult to reach (I know because I got completely soaked trying to cross the stream to get to it). So we settled for some rocks that were closer to the side.
To get the above shot I mounted my camera on a tripod, added a neutral density filter to cut down the light, and used a silver California Sunbounce Pro reflector to light her. Played around with different slow shutter speeds to blur the water.
Since it was not possible to get Rosanna directly under the falls, we had her pose at the edge of the top of the falls, to try to get as much of it in the background as possible. Rosanna is a really brave model because right behind where she sat was the sheer drop of the waterfall.
Because the sun kept going behind the clouds, we switched to using a silver California Sunbounce Micro Mini reflector and bounced an SB26 at full power into it. Chaz held the reflector/flash combo to camera left, just inches away from the edge of the cliff. Dangerous as heck, but hey, it made a great shot. ;-)
After the waterfall, we went looking for some parks and botanical gardens. We passed by one area and noticed some old train cars. It turned out this place had an actual working railroad - the Kauai Plantation Railway. The staff there was very friendly and gave us permission to do a few shots there. This headshot was done using just natural light and nothing else. There was a white rain gutter in the background that I darkened in Photoshop to lessen the distraction in the image.
For this shot on the tracks, I walked around until I found a section of track that kind of S-curved. This was from a lesson I learned from photographer Rolando Gomez. I could have just shot her on a straight portion of the train track, but by working in this section, the curve of the tracks creates an interesting line that leads the eye to the model. To help blur the background, I zoomed out to 200mm and setup my camera far away from the model's position. Lighting was a silver California Sunbounce Mini held just out of frame to camera right.
Later in the afternoon we found this small stretch of beach near a restaurant. Since time was limited (Chaz and I had to get back to the airport to make our return flights), we settled for this spot to do some sunset shots. Rosanna wanted to do some Bond Girl type shots, so we used a couple of Tomb Raider airsoft pistols as props. Being very pressed for time, lighting was done on camera with a Gary Fong Lightsphere diffuser aimed directly at the model.
I ended up boarding the plane that night covered in mud, sand and salt water (but with some great images). :-)
Sunday, November 29, 2009
Wednesday, November 25, 2009
Kapalua, originally uploaded by Mizomi Photography.
Whenever I plan to work with a new model, one of the first things I do is ask them if they have someone (friend/relative) that can come along with them as an escort. Some photographers don't like to have escorts at the shoot, but to me it's always nice to have them there to help the model feel comfortable and also assist with the shoot.
Back in September I did a photoshoot with Makenzie. When we started planning the shoot, she asked if her mom could accompany her on the shoot. Of course, I agreed.
On the day of the shoot, I found out from another photographer that Makenzie's mom was also recovering from a recent back surgery. So I decided to try as much as possible to not have her do anything too strenuous.
In spite of that, Makenzie's mom was a really big help on the shoot - holding reflectors and helping us move equipment from location to location. You could tell she really enjoyed watching her daughter's photoshoot, even encouraging her daughter to try some wacky shots as well.
When we wrapped up the shoot and got back to my car, I loaded the images into my MacBook Pro and had Makenzie and her mom look through the shots.
It was getting kinda dark and chilly in the parking lot but the two of them sat together for a long time, huddled over the laptop and choosing the ones they liked.
A few days ago I received this email from Makenzie:
Just checking in, and seeing how you were doing!
I'm definitely missing Maui, and i have a feeling i will be back with in the next year!
I just wanted to thank you again for the amazing shoot! Honestly that shoot means more to me than any shoot so far! I appreciate you taking the time to do the shoot and all you're work you put into it! but more than anything I want to thank you for letting my mom come along! 3 weeks after we got back from our trip my mom passed away! and that shoot is one of my favorite memories that I have because she got to come along and see the whole process, she was always my biggest fan and i know it truely made her happy and as it does me that she got to be there! I'm not trying to give you a sob story but mainly just tell you have much I appreciate all of the great photos I received from the shoot, the things i learned from working with you, and for being such an awesome and caring person and being flexible to having my mom come along! It really truely means alot!
Thanks again! and maybe hopefully next time im in Maui we can work together again
Hope things are going well in your neck of the woods or rainforest ;-)
Talk to you soon,
Thursday, November 5, 2009
Photographer Rolando Gomez has a new book out called "Photographic Therapy - The Power of Photography to Help Build or Rebuild Self-Esteem". No matter what level of photographer you are, I think this should be required reading for anyone who photographs people.
Unlike his previous books which dealt more with posing, lighting, and techniques, "Photographic Therapy" focuses more on the interaction that goes on between the subject and the photographer before, during and after a photosession. While he does devote some chapters to posing and lighting, he mainly writes about how important it is to know and understand the person in front of the lens, whether it is a housewife, a Playboy model, or a corporate executive.
I think sometimes we forget about the power that a photograph has. Using the right combination of lighting, gear, & technique we can photograph someone and make them look like a cover model. We have the ability to make that same person look
In his book, Rolando draws from his many years of experience and explains how he interacts with his subjects and tries to understand their thoughts and feelings. He describes his techniques for adapting to each individual person that he photographs, such as what to say and what not to say. He also shows how he adjusts posing and lighting to make his subjects look their best.
Rolando mainly covers the HUMAN element of photography, the interpersonal communication between the subject and photographer. With the right attitude and skills, if you get it right, you can really help someone. That's one of the things I've come to really enjoy about photography - it's a skill you can use to make a difference in a person's life.
What I appreciate most about this book is that Rolando decided to release this book for FREE. It is available for download from freephotographybooks.com.
It's very rare that you will find photographers with his skills and experience that are willing to share their knowledge with others. It's rarer still to find one that is willing to do that for free. I strongly urge everyone to check out this book.
Tuesday, November 3, 2009
Just a quickie post for today.
I was recently asked to shoot one of my high school classmates, the owner of Decorous Studio , for an upcoming magazine article about her. For this shot, I wanted to simulate the glow of the kiln without actually turning it on. (I was sweating enough as it was).
I put an SB26 with a red gel and a Stofen omnibounce into the kiln and triggered it with a Pocket Wizard. Had to carefully position it because the kiln is really tiny (smaller than a microwave oven) and the SB26/Pocket Wizard combo barely fit in there.
I had setup another SB26 bounced into the ceiling behind her to add fill, but decided not to use it, as the red glow as more effective without it. The fill light that is in the picture is coming from the doorway that I am standing in.