We met for a pre-shoot meeting a few days before and I was actually surprised she remembered me from the workshop. But then again, I guess you do kind of remember when a photographer asks you to climb up on top of a Ford Escalade wearing practically nothing for a shot.
(Yep, shooting with me can be a traumatic experience for any model.) ;-)
Our makeup artist for this shoot was Kahulani, doing her amazing magic as usual - helping to even out sunburned skin, adjust hair, cut tags off of clothing, etc. Kat is always so much fun to work with and her hard work saves me countless hours in post production.
It's always a good idea to have a female assistant on shoots like this so that they can run in and adjust the model's hair, clothing (or lack thereof) etc. An added bonus is that Jennifer is one of Maui's top graphic artists, so I also relied on her creative eye on the set for different ideas and poses we could do.
I've also been meaning to do more behind the scenes videos of our shoots, but since it's difficult to shoot both photo and video on the same shoot, I had our other assistant Ronald focus on shooting video and setup shots.
For our studio shoot, the main concept was to create a morning bedroom scene with sunlight streaming in through the windows. Since the studio we were in had no windows of any kind, we had to create one from scratch. We lit this entire set with just one light.
A single White Lightning 800 strobe with a 7" reflector was pointed at the back white wall. This was triggered with a Pocket Wizard Plus II Transceiver. The reflected light then passed through a 77"x77" translucent Photoflex Litepanel to backlight our set.
Our "bed" was a simple table with couch cushions, a comforter and some satin sheets draped over it.
To light the front of the model, 2 white v-flats were placed in front of the table to bounce the back light into the front of the model.
I liked the soft looks we got using this simple lighting setup, but would like to tweak the set a bit more on the next shoot to get more depth.