Showing posts with label Pocket Wizard. Show all posts
Showing posts with label Pocket Wizard. Show all posts

Monday, November 18, 2013

Off-Camera Flash Radio Triggers - the Phottix Odin System

In order to overcome the line of sight limitation that Canon's wireless infrared flash systems have, I have tried almost every radio trigger that exists on the market for off-camera flash control.  Each one that I've tried has had their ups and downs, and in my opinion, no one company ever really "got it right". That is until I heard about these - the Phottix Odin system.


Before I get into these, here's a brief overview of what I've used in the past.

RadioPoppers were the first ones to come out on the market with their solution, which took the electromagnetic signal that the Canon flashes made and converted it to radio waves. It was ingenious at the time.  I went through the first version of those, where you literally had to take a fiber optic cable from the RadioPopper receiver and tape it over the IR receiver of the slave flash.


The next version (pictured above) eliminated the fiber optic and allowed you to mount the receiver directly to the flash.  First with velcro applied directly to the flash, then they later came out with plastic brackets which could hold both the receiver and the flash.



One problem I encountered with the RadioPoppers was that the plastic bracket was so fragile near the hotshoe mount, that you literally had to treat it like glass.  I understand that it's intentionally made that way so that the bracket breaks instead of your more expensive flash.  But I broke several of the plastic mounts within a single year of normal use.


In the above photo you'll notice the pieces of foam rubber - that is the part of the bracket that presses up against the front of the flash unit.  The IR signal passes through that little donut shaped piece.  Being in Hawaii and shooting under the hot sun most of the time, I've run into issues with the glue melting and the rubber pieces sliding around and obscuring the IR signal.

It also took a while to find a way to conveniently store these things in my camera bag without damaging them.  Storing them attached to the flash was not an option because it added a lot of bulk to each flash (and that's also how I broke two of the brackets).  I ended up storing them separately in a small Pelican hardshell case, which was really bulky and took up a lot of space in my camera bag.

The second problem I had with that system was no fault of RadioPopper - it was due to Canon's way of controlling off camera flash - the icon-based lcd interface on the back of the flash just was not intuitive for me to use when I wanted to quickly adjust a remote flash on the fly.

I next decided to go all manual on my remote flashes and picked up a set of Cactus V transceivers.


I really liked using these.  Very simple to use, because all they do is fire the remote flashes.  No TTL, no HSS (High Speed Sync), just plain vanilla remote triggers.


You set each remote flash to manual and if you want to adjust the power levels on each flash, you have to do so on the flash itself.  No remote controlling power levels from the camera.


Very rugged too.  Metal foot and a 1/4-20 mount.


Each Cactus unit is a transceiver, so they can be set to either be a transmitter or receiver by sliding a small switch on the side.


A dial on the other side lets you easily select between 16 channels, although the numbers are so small it is hard for me to see them in low light sometimes (old eyes).

I then heard about the Pocket Wizard Flex system. At first it sounded like someone had created the perfect solution. Small transmitter that sits on the camera hotshoe, full ETTL/HSS, etc.  Does everything the RadioPoppers do, but without the hassle of plastic brackets.  Just mount the Flex TT1 onto your camera, put a flash into the hotshoe of the Flex TT1 as your controller and another flash onto the TT5 for your off camera flash and go to work. Simple, right?

So I bought them.  And then the headaches began.



At first it seemed ok.  The units have a metal hotshoe on top, but plastic on the bottom. On the very first shoot I tried it out on, the plastic foot on the TT1 transmitter broke and I had to order replacement feet for it.  Having a heavy flash like the 580EX II on top of the TT1 just would not hold up to the rigors of run and gun shooting like at a wedding or event.

Then there were issues with it not firing during a wedding shoot.  It would work fine when we were setting up everything and testing, but when it came time to use it, there would always be the random misfire where it would dump the full power of the flash and nuke everybody, or it would not fire at all.

When the Pocket Wizard Flex system first came out, there were also issues with radio interference from the 580EX and EXII flashes (the old 550ex flashes have no issues), so Pocket Wizard came out with RF shields. You could purchase a hard shell version (which in their brilliant design did not allow access to the external power port of the flash unit - if you wanted to plug in an external battery pack to your flash, you are SOL.) or you could use the soft version which they included in the box with each Flex TT5.


You had to mount a small riser into the hotshoe of the Flex TT5, then mount your flash onto the riser, then put the saggy condom RF Shield over the flash and make sure it covered the flash and the riser.

Pocket Wizard people ------ seriously?!??!? WTF

Even after doing all that, there would always be the occasional misfire during a shoot.

If you didn't want to go that route, Pocket Wizard had other suggestions, such as using an off-camera camera cord to separate the TT5 from the flash by a few feet so that there would be less interference. While that kind of worked, it still would misfire and defeated the idea of a simple, uncomplicated off-camera flash solution.  The more and more things you add to the chain - risers, RF shields, off-camera shoe cords, the more there is to troubleshoot when things go wrong. And troubleshooting gear is not something you want to be doing during a photoshoot.

The only saving grace that the Pocket Wizard Flex had, and the reason I didn't smash them to pieces out of frustration, is that they work fine with the Alien Bees strobes.


With the addition of the AC9 adapter and the AC3 controller, this system lets you remotely adjust the power of up to 3 groups of Alien Bee/White Lightning strobes.


Canon did finally upgrade their flashes recently to the new 600EX-RT series, which incorporates built in radio control. They also upgraded the ST transmitter to make it more intuitive to control your off camera flashes.  I will upgrade to those eventually, but for now to stay within budget, I needed to find a system to work with my existing 580EX and 580EXII flashes.

That's where the Phottix Odin system comes in:


This allowed me to take this whole Pocket Wizard Flex system mess in my camera bag:


And replace it with this:


I was literally able to take these right out of the box, put the batteries in, and put them to use immediately on a shoot.  No reading a manual & no updating the firmware (there is a usb port on these to allow for firmware updates but none were needed for the camera I was using).


The system is so intuitive and easy to use that I have been kicking myself for not getting this earlier.

The Phottix Odins are 100% compatible with the Canon flash system - this means ETTL, High Speed Sync, 2nd curtain, modeling lights, remote power control in Manual or TTL, and remote zoom control are all available to the user from the transmitter unit on the camera.

 I have had ZERO misfires with this system. ZERO interference issues. IT JUST FREAKIN WORKS.

Photographer Gary Fong goes more into depth on the Phottix Odin system in this video I came across on YouTube:



He has a lot of other video tutorials and reviews that are really worth checking out.

With all the money I spent on assorted radio triggers in the past, I know I could have just saved it and waited for Canon's 600ex series flash system [sigh].  But after having the Phottix Odins perform flawlessly on my last few photoshoots as well as my weddings this past summer, I'm pretty sure I'll be sticking with them for quite a while.

Wednesday, September 7, 2011

Sunset shoot with Valerie - working with the Pocket Wizard Flex TT1

Canon 5D mkII 70-200mm f2.8L IS II lens iso 200 1/250 @ f2.8

After we left the studio, we headed out with model Valerie Wessel to the west side of Maui to try to catch the sunset.  At first we were planning to go to 505 Front Street in Lahaina, since the water is usually pretty calm there.  While driving along the coast however, we came across this old fallen tree on the side of the road that was halfway in the water and I thought it would make for some interesting photos. Besides, it kinda sucks these days that you have to pay for parking nearly everywhere in Lahaina.

We started on top of the fallen tree with the model's back towards the sun.  Our lighting was a WL1600 with a 7" reflector, powered by the Vagabond Mini Lithium and triggered with the Pocket Wizard Flex TT1 trigger.
PocketWizard MiniTT1 Radio Transmitter for Canon TTL Flashes and Digital SLR Cameras
We just got the Pocket Wizard Flex TT1transmitter and TT5 tranceiver a few months ago and have been using them on a few wedding shoots to trigger an off-camera strobe. One of the things I like about the TT1 is the lower profile it has on the camera as opposed to the Plus II tranceivers.

PocketWizard PWP-TR 801-125 PLUS II Transceiver (Black)PocketWizard MiniTT1 Radio Transmitter for Canon TTL Flashes and Digital SLR Cameras


Another nice feature of the TT1 is the ability to do what is called HyperSync, which allows you to exceed the native flash sync speed of the camera when using a non-Canon flash such as the WL1600.  The TT1 comes with software that runs on PC or Mac and lets you plug in the TT1 via USB and tweak the internal settings of the TT1 so that you can fine tune this ability to your particular camera/flash combination.

In this case I was using a Canon 5D mkII which has a sync speed of 1/160.  The Hypersync feature of the TT1 allowed us to crank the shutter speed up to 1/500, with the only catch being that the WL1600 had to be set at full power.  Dropping the power level of the flash down meant we had to back down our shutter speed to 1/250.  You can find out more about the TT1 and hypersync on this blog by Adam Swords.


Couple of drawbacks of the Flex TT1/TT5. First the build quality of the hotshoe mount blows chunks is relatively poor. The TT1 is designed to mount in your camera's hotshoe, then you have the option to have a flash mounted on top of the TT1.

Although the hotshoe on top of the TT1 is sturdy metal, the foot of the TT1 that slides into your camera's hotshoe is made of plastic.  Freakin' plastic. Mounting a Canon 580 EX II flash on top of the TT1 stresses the plastic foot to the point where it will eventually snap off.  Which actually happened to me during a wedding the day after I had received the unit.

Luckily I was able to order a replacement hotshoe mount (actually bought several 'cause I just KNOW it's going to wind up breaking on me again) and it is relatively easy to replace.   Directions for how repair the hotshoe foot on the Pocket Wizard Flex TT5. The procedure for the TT1 is roughly the same.

The second problem has to do with range.  When using the TT1 and TT5 with a Canon580EX or EXII flash, you are limited to a range of about 20-30 feet.  Anything past that and the flash triggers intermittently.  Pocket Wizard says this has to do with RF interference generated by those particular flash models.  Some of the solutions they suggest are:

1. Use the the AC5 RF Soft shield on your flash.  I don't care for this since it blocks access to the flash controls and makes the flash look like a saggy sock puppet.
2. Use the AC7 RF Hard shield on your flash.  I didn't go this route either because the design of the AC7 hard shield prevents you from using an external battery pack with the flash.  What the hell were they thinking?!?!
3. Use an older model Canon flash, like the 550EX.  (This is what I've been doing lately when using the TT1 at weddings)

Sorry for the rant, I got sidetracked for a minute there.  Ok, back to the shoot.

Using the TT1 and a shutter speed of 1/500 while firing the WL1600 at full power allowed us to easily overpower the afternoon sun.

Canon 5D mkII 70-200mm f2.8L IS II lens iso 100 1/500 @ f11

Just for kicks, I also wanted to try out the RadioPopper triggers so that we could experiment with what could be done with small flashes in this setting.  We rigged up a painter's pole with a Canon 580EX flash and the Radiopoppers and fired off a few shots.

Canon 5D mkII 70-200mm f2.8L IS II lens iso 100 1/1000 @ f8

Had to fix a little underexposure in Lightroom, but I liked the effect that we got with it.  Having the 580EX on the painter's pole really made a difference as it was easier to get the light up higher and closer to the model for a better lighting angle than we could get with the WL1600 on the standard light stand.

To do some wide scenic shots we turned Valerie around and shot from the other side of the tree.  This time we used the sun as her main light and filled in the shadow areas with a silver California Sunbounce Mini reflector held by Ronald.  Use a circular polarizer filter on the lens to pull in more detail in the sky.

Canon 5D mkII 70-200mm f2.8L IS II lens iso 100 1/160 @ f5.6

We then moved to the branches of the tree that were half submerged in the water.  We used the reflected light of the Sunbounce as Valerie's main light and used the sun as her rim light. I swapped out the circular polarizer for a neutral density filter so that I could shoot with the aperture wide open and blur the background.  Used a faster shutter speed to freeze the water splash.

Canon 5D mkII 70-200mm f2.8L IS II lens iso 400 1/1250 @ f2.8

For this image I needed a higher camera angle to put the ocean completely behind the model so I stood on two of the larger branches of the fallen tree, trying to keep my balance and not drop the camera into the surf.  Probably should rethink my no-camera strap policy when shooting in these kinds of environments.

Also need to send props out to both Ronald and Valerie for this shot.  Ron for being willing to get completely soaked in the surf as he got the reflector in close for the best lighting.  Valerie for her ability to hold the pose and expression steadily and patiently as wave after wave crashed into her from behind while waiting for me to get the timing of the shot right.

For sunset, Valerie changed back into the blue dress that she had worn in the studio.  We used the WL1600 light  and the Flex TT1 trigger for the rest of these shots, this time adding a beauty dish to the mix.

Canon 5D mkII 70-200mm f2.8L IS II lens iso 400 1/250 @ f8

Had Valerie whip the dress around a bit to add some movement to the image.

 Canon 5D mkII 70-200mm f2.8L IS II lens iso 400 1/500 @ f8

The original plan we had for going to 505 Front Street was so that we could get the model almost neck deep into the calm water and do a headshot to show off the makeup against the sunset.  Since by now it was too late to change locations, and the surf conditions by the tree prevented us from attempting that particular idea, we compromised and did an implied nude shot against the sky.

Since Valerie was wearing a nude-colored swimsuit underneath the dress, this was relatively quick to set up. We had her pull the top of the dress down to around her waist and adjusted the placement of her arms and the angle of the lighting to hide the swimsuit top in the shadows of this image.

  Canon 5D mkII 70-200mm f2.8L IS II lens iso 400 1/250 @ f5.6

The wind started to pick up which made for some nice dynamic images towards the end of our shoot together.
 Canon 5D mkII 70-200mm f2.8L IS II lens iso 400 1/250 @ f5.6





Thursday, December 3, 2009

Rescuing a Pocket Wizard

On my recent shoot with Rosanna, I ran into a slight mishap with one of my Pocket Wizard tranceivers.

We had just finished the shot with her at the edge of the cliff and were changing locations when Rosanna knelt down and fished something out of the water - my Pocket Wizard. She handed it to me and asked "is this yours?". My stomach kinda flipflopped right there 'cause I figured it was toast - and at 170 bucks a pop, a very expensive piece of toast. I opened the battery compartment to take out the batteries, and some water spilled out - yup, toast.

When I got back to Maui that evening, I went online to B&H to order another one when I remembered that I had a Sekonic light meter that went through the washing machine one time and still worked after drying it out. (I have a bad history with electronics....;-) )

I figured "what the heck". I loosened the screws on the Pocket Wizard to open it up a little and shook as much water as I could out of it. I then put it into a small Gladware container with a big pack of dessicant, sealed it up and left it alone for a couple of days.

Opened it up today, re-tightened the screws and inserted fresh batteries. Connected it to my SB26, turned it on and crossed my fingers. Whaddya know, it WORKED!!!! I just saved myself $170 + shipping. :-).

Now I just need to figure out a way to attach the Pocket Wizard to my flash more solidly so that this won't happen again. The industrial strength Velcro I had on it before didn't seem to work too well.


Taken just before my Pocket Wizard went for a swim.