Showing posts with label headshot. Show all posts
Showing posts with label headshot. Show all posts

Sunday, November 23, 2014

2014 Glamour, Beauty & The Nude Photography Workshop - Building a Headshot with Heather



Heather is always a fun subject to photograph.  At the luau the previous evening, I noticed that she really liked the tuberose flowers in her lei and kept smelling them throughout the evening. For our private shoot session together, I decided to focus on just creating one image - a headshot with tuberose flowers in her hair.

Went to Safeway and picked up a few flower leis.  Also chose some leis that had different kinds of flowers in them to add some color variety to the shoot.


The original concept was to weave individual flowers throughout Heather's hair, and then have her lying in some tulle fabric on the bed.

Our makeup artist Stephanie came up with the idea to turn the flower leis into  a haku lei by simply pinning it around her head.  It saved us a lot of time and actually turned out much nicer than what I had originally envisioned. Sometimes the simplest ideas are the best!

The change in the flower style also dictated a change in the shooting location and pose.  Instead of lying down on a bed, the flowers would look better in an outdoor setting in a standing pose.

Picked a spot out on the lanai in open shade for the shoot.


There were tennis courts and a parking structure in the background so a Canon  5DmkIII with the 70-200mm f2.8 was used to compress the background and blur out the distractions.


In the photo above you'll see the two light stands on the right which were left over from the lighting setup that was originally planned for the bedroom.  We ended up not using those two lights, instead relying on the existing natural light for our main light.

Two Canon 600RT flashes were used to supplement the natural lighting.  One was Justin clamped onto the railing behind the model for some edge lighting.


To add a bit of glow from underneath Heather's face, a white bedsheet was placed on a chair as a makeshift reflector and the second 600RT flash fired into it.


Wanted to put something in the foreground to add some depth to the image, so we found this decorative plant near the kitchen.


This was carefully balanced on top of a tripod which was placed between the camera and the model. Lucky for us there was no wind that day.


We started with a few test shots, but didn't have the right feel to it.  I was looking for something a little different, something other than the typical model pose. After Heather and I reviewed some of the images, I suggested that she try snorting those flowers really hard, like a little kid would do.


I'm finding that a lot of times if you can get your model to do something really silly or unexpected- something that makes her laugh then start shooting immediately after, you can get some great natural expressions. :-)


Since Heather was able to nail the look I was after in just a few shots, it was a short but very productive shoot.  Could have played around with adjusting the distance of the flowers in the foreground to bring them more into focus or more blurred out for different looks, but was very happy with the results we got.   Looking forward to working with Heather again for the next workshop. :-)

Thursday, January 2, 2014

Coloring backgrounds with gelled strobes

During a recent photoshoot at Kepaniwai Park in Iao Valley with local model Natily Taylor, I wanted to see if we could create some interesting headshots using flash.  Our setting was in a large banyan tree in the middle of the park.


Two Canon 580ex flashes were used for the shot.  The main 580ex was modified with a Lastolite Ezybox Hotshoe softbox.

The second 580ex was gelled with a CTO gel and Justin Clamped to part of the tree just behind the model.  To spread the light out as much as possible to light both the background and the model's hair, the flash was zoomed out to its widest setting and the diffuser panel pulled over the gel.


Both flashes were set to manual mode, and triggered with Cactus v5 radio triggers.

This is what the tree looked like before we set up the strobes:



And this is the result:

 Canon 5D mkII 70-200 f2.8L IS II lens iso 800 1/100 @ f2.8

In the future, I'll have to remember to experiment with other colors of gels (like blue or green) Or maybe even mixing different colors.





Friday, February 3, 2012

Studio headshots with Brittney, Part I

Recently did some headshots with model Brittney Baker in the studio, as part of a collaboration with makeup artist Kahulani and local artist Ben Kikuyama.

Wanted to try a different lighting style this time.  For our main light, an Alien Bee AB800 in a medium softbox, we boomed it up overhead and pointed straight down at the model (what's known as "tabletopping" the light).  Two AB800s in strip softboxes with grids on either side of Brittney were used to rim light her.



Since the main light was aimed straight down and the two strip softboxes had grids on them, we were able to keep most of the light away from the white walls of the studio, which made them go dark gray.


Canon 5D mkII 70-200mm f2.8L IS II lens iso100 1/160 @ f8

One of the things to be careful about when using the main light in this fashion is to make sure the model is not directly under the center of the softbox, but rather closer towards the rear edge.  This allows more of the light to wrap around the mask of the face.

Sorry for the crudeness of this drawing.  I'm not an artist. ;-)

While we were shooting we noticed that sometimes depending on Brittney's pose, the shadow under her nose would get really dark.  This is why having a very talented makeup artist on a photoshoot can really make a difference in the final images. As soon as we mentioned the shadow, Kat came up and adjusted Brittney's makeup. I don't know what she did exactly, or if she just waved a magic wand or something, all I know is that whatever she did worked.

Canon 5D mkII 70-200mm f2.8L IS II lens iso100 1/160 @ f8


Kat, you are just all kinds of awesome, you know that? :-)

For some of the later shots, we also added a silver California Sunbounce Micro Mini reflector just below the bottom of the frame to help soften the shadows a bit more.

Canon 5D mkII 70-200mm f2.8L IS II lens iso100 1/160 @ f8


Canon 5D mkII 70-200mm f2.8L IS II lens iso100 1/160 @ f8


Canon 5D mkII 70-200mm f2.8L IS II lens iso100 1/160 @ f8


For these last few sets Brittney wore her hair down, so we added some CTO gels to the two strip lights to help highlight her hair.  We didn't have enough gels to completely cover both strip lights, only about half of each, so the color difference is subdued a bit.

Canon 5D mkII 70-200mm f2.8L IS II lens iso100 1/160 @ f8


Canon 5D mkII 70-200mm f2.8L IS II lens iso100 1/160 @ f8


Canon 5D mkII 70-200mm f2.8L IS II lens iso100 1/160 @ f8


Canon 5D mkII 70-200mm f2.8L IS II lens iso100 1/160 @ f8

Part 2 of this post will illustrate how you can create interesting backgrounds using a flash and some not so ordinary household items.

Thursday, November 18, 2010

Headshot session with April



A few weeks ago I did a short studio headshot session with model April Boone and makeup artist Kahulani.
Because we were working in pretty tight quarters in the studio (there were two other sets that were being built for an upcoming TV production), we kept the lighting setup relatively simple - 2 AB800s, a large softbox above and a small softbox below for fill. A Nikon SB26 was used as the backlight.


 We kept the background mostly dark, but added some color with an AB800 with a 40 degree grid and a blue gel.




Later we added 2 AB800s in gridded strip softboxes behind the model and swapped out the upper large softbox for a beauty dish.  The image really started to come together once we brought in a Vornado fan to add motion to her hair.



This was our last setup of the day and one of my favorite shots.  April had the perfect outfit to go with these guns.




Just to try something different I added a blue gel to one of the edge lights to throw some color into her hair, to sort of give a nighttime feel to the shot.  Kind of like a glow from a nearby neon sign or something. It's very faint, but you can just barely see it on the left.  An idea to play around with more in future shoots maybe.


I also just heard from the makeup artist that with the help of this final image, April was able to get a part on an upcoming episode of Hawaii Five-0 .  Congratulations April!